The following monographs in the Shaping American Lutheran Church Music series, and the book by Carl Schalk, have been published and disseminated to U. S. Lutheran seminaries and universities. They are also available for sale through Fortress Press, Amazon, Concordia Publishing House and MorningStar Music Publishers.
The Cantor in the Lutheran Tradition
Explores the roles of the church musician---leader of congregational song, organist, choir director, composer, and more! 24 pages. 2022
Living the Liturgy: A Guide to the Lutheran Order of the Divine Service
Explains the origins and various parts of the communion liturgy. 48 pages. 2022
Joyful Singing: A Story of Lutheran Sacred Music in Texas
Benjamin A. Kolodziej
Uncovers and records the story of those who undertook the daunting and uncertain work of carving out a new life in a new land and of the music that accompanied them. 201 pages. 2022
So Great a Cloud of Witnesses: A Paul D. Weber Hymnary
Paul D. Weber
A collection of 91 original hymn texts and tunes (1971---2022) 208 pages. 2022
I Walk with Angels: The Life and Work of James Engel
Carl R. Ziebell
The story of Engel's life as a parish musician, composer, and professor.166 pages. 2019
Anna B. Hoppe: Her Life and Hymnody
Elisabeth Joy Urtel
The life and vocation of a faithful and prolific Lutheran hymn writer. 148 pages. 2018
Charles W. Ore: An American Original
Edited by Irene Beethe
A collection of essays celebrating the 80th birthday of church musician, composer, improviser and professor Charles Ore. 201 pages. 2016.
Paul O. Manz: The Enduring Legacy of the Hymn Festival
James W. Freese
Paul Manz enjoyed a long career, serving as a organist, composer, teacher and recitalist. Known for his improvisations, Manz cultivated and vigorously promoted the idea of the hymnal festival - a program of singing, readings, and organ music, often assisted by choirs and instrumentalists. Hymn festivals continue to be popular throughout the United States largely due to his vision and energetic leadership.
The Precious Gift: The Hymns, Carols and Translations of Henry L. Lettermann
Scott M. Hyslop
Lettermann served as professor of English at Concordia Teachers College, River Forest, Illinois, from 1959-1988 where his talent for poetry became readily apparent. From 1979-1987 he served as a member and secretary of the Hymn Test and Music Committee which produced Lutheran Worship in 1982. His original texts, translations and observations about the process of preparing this new hymnal provide fascinating insights.
Prelude and Fugue on the Life of Harriet Reynolds Krauth Spaeth (1845-1925)
Robert D. Hawkins
Spaeth was the daughter of nineteenth-century Lutheran theologian Charles Porterfield Krauth. She served as music editor of the Church Book with Music (1872), a very influential early Lutheran hymnal. The author served for twenty-six years as professor of worship and music, and dean of Christ Chapel at the Lutheran Theological Southern Seminary in Columbia, South Carolina.
August Crull and the Story of the Evangelical Lutheran Hymn-Book 1912
Jon D. Vieker
Crull (1845-1923) edited and compiled the first edition (1889) of the Evangelical Lutheran Hymn-Book, thus playing a critical role in shaping the hymnic tradition of the Lutheran Church—Missouri Synod as it transitioned from German to English. The author served for twelve years as assistant director for the LCMS Commission on Worship and since 2010 has served as senior assistant to the president of the LCMS.
Dawnlight Breaks: Hymn Texts and Translations of F. Samuel Janzow
David W. Rogner
The career of F. Samuel Janzow (1913-2001) was marked by roles as pastor, professor, and scholar. In all of these he served with great humility, from shepherding a small congregation in London during the blitz, to teaching countless college students, to his many editorial contributions to Lutheran Worship (1982). An ordained Lutheran pastor with a Ph.D inliterary studies, he left the Church an amazing legacy.
Luther Reed: The Legacy of a Gentleman and a Churchman
Philip H. Pfatteicher
The career of LUTHER D. REED (1873-1972) was marked by roles asa pastor, professor, and seminary president. In the midst of the “frontier tradition” he, with the assistance of many others, helped Lutherans in America recover their liturgical inheritance. He was a founder of the Lutheran Liturgical Association in 1898 and is best known for his monumental The Lutheran Liturgy: A Study of the Common Service of the Lutheran Church in America (1947).
The essays in this collection are gathered from presentations made over the years to various groups interested in the worship and music of the Church. Some essays have previously appeared in print but are in a variety of publications no longer generally available.While these essays were written at different times and for widely different occasions over an entire career, they are grouped here for convenience in five categories: three are general essays on the tradition of the Church’s song; six deal specifically with the Lutheran tradition of worship and church music; three essays discuss different aspects of Lutheran hymnody; three essays are on the composer of church music in the Lutheran tradition; and several miscellaneous items address acoustics in worship, appearing together with several brief homilies and other devotional writings.
At the root of these writings is the simple proposition that church musicians need to be both theologically informed and musically skilled—that they are simultaneously church musicians and church musicians. It should also be evident that several underlying themes form the background of these essays. Sometimes explicitly stated, more frequently they are implicit in the argument. These include the central importance of the great tradition of the Church’s worship and song and the central role of proclamation and teaching in the Church’s worship, its music, and its congregational song.
Church Music in the United States (1760-1901)
The Center has entered into an exciting partnership with MorningStar Music Publishers in the recent release of the book Church Music in the United States (1760-1901) by David W. Music and Paul Westermeyer. These essays by David W. Music and Paul Westermeyer discuss church music in the United States from the middle of the eighteenth century to the end of the nineteenth. Not a comprehensive history, they can be read singly or as a whole. Their insights into where we have been give perspective on where we may be called to go. Order here through MorningStar.